Thursday, January 29, 2015

保全叔,謝謝你!

圖: Cuson

小時候其中一本接觸的漫畫書就是叮噹,老實一點,那時的中文字主要都是從叮噹裡學回來的。在電視上播放叮噹,以及後期的多啦A夢,也會回家準時收看。

早幾年,在偶然的情況下聽到多啦A夢的日本配音員的聲音,是把很尖的女聲,就像是個小學生那般的聲線。相較之下,還是喜歡保全叔的聲音。可能是先入為主的關係,但是由保全叔的聲音配就非常適合不過。聲音雄渾有力,講解法寶用法時候有種令人相信真的有這種法寶的可信度;當見到老鼠而驚叫彈起,以及喜歡吃豆沙包時的情景,都令我覺得聲音很配角色。當時有一個想法:「冇保全叔嘅叮噹,仲叫叮噹嗎?」
圖: tv-asahi

奈何人生就是這樣,誰都會經歷人生四大階段,就好像The Simpsons裡面配Edna Krabappel老師的那位七十歲的配音員Marcia Wallace因患癌而去世,又或是配大雄的盧素娟,她們都是陪伴著很多人成長的聲音。

他們的聲音就像真實的摰友一樣,陪伴過我們笑過,哭過,感動過,可惜最終都要跟大家道別。

雖然配音員離開了我們,但是留下了聲音紀錄。所以,有時候,我也會時不時打開一集看看,重拾當初熟悉的聲音陪伴我成長的喜悅。

圖: 網絡

Wednesday, January 28, 2015

Reflection to the art(1)


I have been pursuing and exploring my philosophy (about frustration of life and culture)  towards the art by the time I reach the senior year in Jockey Club Ti-I College, in where I studied Visual Art for 6 years. I don't really developed the ideas in school, for the frustration of being "academically" well-prepared to the college.

The fact that "I am really tired to face my vision with my favorite music at that time"  depicts in the painting. At that time, I was really stressed and always got struck. I was all alone to prepare and face the open examination. 

After getting into the college, I admit that I had been lazy to do my work. It was not until the 3d-class that I am willing to let my spirit back to my body, and do my work, for the teacher's grading keeps reminding me of TIC teachers. I know I have to make a better quality of work. So I have made the tea set with the Jamon Ham in my project. Maybe the teapot was missing to accompany with the set, it makes the tea set incomplete. It indicates that culture can be long-lasting if it is preserved well like making and storing jamon ham.


In my project 2, another good idea but i am too ambitious to do my work and it actually leads to the failure of the craftsmanship in some parts. I like this idea about Chinese idiom-一毛不拔, illustrates somebody is unwilling to remove even a hair----indicates that somebody is self-centred and selfish. Although I am so disappointed about my project, I still insist on trying to make the craftsmanship better, because I remember what my art teacher said in secondary school: "Once you don't have time to re-do it and your artwork is crappy right before you hand in, you should attempt to find the best solution and try your best to fix it rather than abandon your artwork."
Throughout this experience, I think that being an artist or designer requires to be calm enough to tackle the problem they are facing. They need to maintain good mental health and be smart on fixing process. In fact, the fixing craftsmanship process reminds me of the artwork is not really finished. It is part of making process.


In project 3, it is more like a group project. My current teacher states that it is a combination of project 1 and 2. It is a site-specific installation art. I look forward to make  an awesome piece after watching my former school's graduation exhibition. The Quest Of Art is an exhibition, of which my former school Jockey Club Ti-I College graduating students and alumni displayed their arts in JCACC. The location is near the SCAD, where I am studying. I took a look at the exhibition after school. (I forgot to take the photos, I try to find the artworks in the exhibition on the internet)




I walk into the alumni's gallery first. Most of them have websites and participated on the TV. My favorites are Chow Kar Hoo and Kai Wai Bong.
One of the pieces in the "Heroes next door" by Chow Kar Hoo


Artworks by Ngai Tak Lung, two of which artworks catch my eyes.

When I step into the graduation class's gallery, I feel like going back home. The graduating classes have their works done well and they show the arts, which belongs to Hong Kong. Despite the different kinds of art media used, I can feel very strong sense of belonging. Their artworks show the complexity of anxiety, hopelessness, and stress. Some of them make the nice quality pieces, which have reached the level that catches the viewers' eyes. I am so proud of the students which TIC has, The exhibition shows the professionalism of the students in the art.
What I think now is: "In what ways I am proud to say "I was proud of being TI-ian"?" The best answer is: make high quality of art.

Friday, January 2, 2015

Del Rey's variety of expression

  Lana Del Rey has released her new album Ultraviolence half a year ago, yet I learnt about that few days ago. It might sound too late for me to notice her latest album, but it has never been late to comment it. I have known Del Rey's music since I was high school student. Most of my old schoolmates like her, especially her music videos. I remember once we discussed them, when we were having visual art lessons. We consider these videos as beautifully made art pieces. Although I have been rock n' roll fan, I like her music because of the interesting and relatively ancient style.

Nowadays, a year after the high school, my favorite genre has changed. I find out that the gothic, and power metal expresses different kinds of expressions (mostly negative) such as love, sad, anxiety, and pain. Some bands would talk about drug addiction, death, war, and domestic abuse. Some would tell a story in their albums. I can imagine many unusual moods and expressions in the metal. I have a space to feel and imagine the story, rather than just entertaining.

Del Rey's album definitely gives enough space to me for the imagination of the story. Similar to the first album: when I was listening to the album, I thought I was watching the movies in the 1960s-70s. But this album is about a sad romantic story of a woman (in one person perspective) who faces domestic violence, but deeply falls in love with her boyfriend. The album uses the fabulous, ancient and psychedelic pop music as the background to accompany with Del Rey's singing to illustrate the girl's story. This combination indicates the girl's speechless loss to her boyfriend's attitude. Despite her boyfriend has done many things to hurt her, she doesn't mind and still love him.




Rate: 87.5/100
Performance: 8/10
Lyrics: 9/10
Originality: 10/10
Production: 8/10


Thursday, November 20, 2014

On Re-watching Summer in February...

(From Summer in February Facebook page) 

I know I didn't write about this film when I first watched it, and only until now have I decided to write about it. To be honest with you, I wasn't sure I had understood much from the first viewing, and I'm not proclaiming I understand a lot this second time around either. What I'm trying to say, is that although I picked up on a few connecting dots and could be able to see the whole picture clearer, I still failed to grasp much, nor could I learn to appreciate this film for what it might have.

(From Summer in February Facebook page)

What drew me to this love story in the first place was the Downton Abbey star Dan Stevens and his upperclass gentlemanly accent. I knew that this film was based on the book written by one of Dan's teachers, Jonathan Smith (he wrote the screenplay as well). Although Dan's (and of course other actors') performance is compelling, the film itself is a bit of a letdown, even though there were some potentially moving moments in the film.

(From Summer in February Facebook page)

Personally, the film has moments with neat lines that transform the moments into little climaxes, however, the buildup phases in-between two peaks are a bit weak, or maybe it takes too long to see the next little dramatic high point. If the story like this is to be turned into a feature film, I guess the buildup phases should be stronger, if not, then shorter.

If not making this film shorter, then I think a more in-depth portrayal of the main characters is needed. For example, I'd love to see more about the romance between Gilbert and Florence. It is rather too short. It would also be nice if I can see the development of Florence's jealousy of AJ's other women. Some of the moments, where the characters start to get emotional, ended too soon.

Morning at Lamorna Cove, Cornwall by Samuel John Lamorna Birch
© the artist's estate photo credit: Williamson Art Gallery & Museum

Still I've found some gems in the film--the music and the scenery. Throughout the film the music is utterly beautiful and brilliantly executed. It plays well with the film and the players deserve a round of applause (cue clapping). There are moments I was ready to get moved by the scene once the melancholy music set in, however, I couldn't because the scene was either not intense enough or it ended just too quick. The spectacular view of Lamorna, England opened my eye and I would like to sign up for a painting lesson just so I could go somewhere like Lamorna and paint the beauty out of it while I enjoy the view. I'd like to see the splashing waves, the shore, the colors of the sky, the grass swinging to the wind.

Behind-the-scene look at the score.


Official trailer

Summer in February Facebook Page
Official website

Monday, September 22, 2014

《FIRST CLASS》: 絕對是一個現代灰姑娘的奮鬥故事


不再是等待奇蹟的出現。與期等待,那倒不如靠自己雙手的能力去創造奇蹟。這是我從《FIRST CLASS》裡學習到的東西,新鮮特別的敍事手法令我很想介紹一下這套劇。

吉成 奈美(澤尻英龍華 飾)本來在一家衣料店當職員,閒時喜愛閱讀時裝雜誌,還會製作剪貼簿,做一本自己的雜誌,自我滿足一番。某一天,店內某位嬸嬸同事暈倒,奈美送她到醫院,巧遇當時裝雜誌主編的女兒,經嬸嬸要求下,奈美便這個灰姑娘便踏進了殘酷時裝界這個大染缸。公司內盡是狡狼餓狗,純得像綿羊般的奈美小姐會怎樣向自己的夢想進發呢?


電視劇產量不多的英龍華(心底裡仍然很不慣她的新名字,還是有點想叫她繪里香)總不免會將她的出名舊作《一リットルの涙》(港譯:一公升眼淚)拿出來比較。會有人會說她老了,加上負面新聞不斷,要再演一些純情女生的角色,對自己及觀眾會否太吃力?試想想,誰人過了十年不會老的,還是依舊的年輕貌美(古巨基迅速閃過)?況且這是她回歸電視劇界的首部作品,著眼位應該放在她的演技與角色的成長。

我認為兩者都是互相發揮作用才會吸引觀眾的眼球,英龍華在這一點上做的算不錯。從上一套劇到現在有十年時間,她成功演譯出十年前的少女心態,這樣才叫演技呀。還有就是角色從純真女生成長、蛻變,配上英龍華的演出令我覺得娛樂性十足。不過比起飾演女性時尚雜誌《FIRST CLASS》的主編大澤 留美(板谷由夏 飾),英龍華的張力還差一點點。也許是這樣,兩者差別所做成的對比突顯兩個角色的特點:留美主編的外剛內柔,奈美小姐的雞蛋殼心靈,在劇中都發揮著很重要的作用。所以她們兩個的角色亦是我在劇中特別喜愛的人物之二。



此劇另外兩大看點就是Mounting以及角色心底話。每集起首與結尾都會有Mounting排名排出最高權力的角色(類似權力階級)。Mounting的計算包括: 財力、樣貌、背景之類等作為考量因素。被Foul出局就會變成了Joker。每次結算都好期待看到奈美的新排名究竟是怎麼樣,也很想看到某些壞蛋角色早早掉進Joker行列。角色心底話真的令我更透徹地了解到角色的真心話。表面一套話,心裡的那一套還是比較誠實。兩者同步進行的表達方式雖然有點難follow,但是趣味十足。



由於這一輯收視甚佳,所以電視台已經決定第二輯的開拍以及定下播放日本期為今年十月(很快便到了!)。今次有別於第一輯的地方其實從tagline亦可以略知一二,上一輯tagline是「除了我,全員惡女。」,新一輯的是包括我在內,全員惡女。」

看劇是其中一個疑問(以下或含劇透):
到底主編的媽媽是出了院沒有?由第一集開始出現過之外,其他集數都沒有再交代過她的狀況。奈美沒有問主編,故事亦沒有交代主編放工時間是不是去了探病(是假日再探病吧?所以沒有拍出來)。